For whatever if anything it might be worth, I would recommend Beil’s book if you find the ideas in the article interesting.
For whatever if anything it might be worth, I would recommend Beil’s book if you find the ideas in the article interesting. I mean the American Method is still running round in photographic circles as obsession with corner sharpness as a marker of self seriousness…and that’s where the book starts. If I had an unmet need, it is the entirety American focus of the book leaves me a bit blind to the bigger picture. What was it like, I wonder, in Japan? But then again, good books should raise new questions because new questions are the mark of learning. Beil’s book certainly feels like a potentially “important book” on US photographic history to me. YMMV.
Posted by brudgers on Aug 30, 2021, 6:51 PM
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I mean that's the problem though.
I've always believed the opposite: get conditionals deep in your code so that the higher level control flow is regular.
The biggest problem with AI isn't being able to do things.
I am a 3D printing maker type nerd (I make my own tools for other creative tasks, rather than as their own outcomes) and I saw an incredi...
Of course not, those are clearly scams.
Claude makes more detailed plans that seem better if you just skim them, but when analyzed, has a lot of errors, usually.
Effectively everyone is building the same tools with zero quantitative benchmarks or evidence behind the why / ideas … this entire s...
> creating and operating a small company in Germany is a nightmare To be fair, I think the problem operating in Germany is its federated...
For whatever if anything it might be worth, I would recommend Beil’s book if you find the ideas in the article interesting.
For whatever if anything it might be worth, I would recommend Beil’s book if you find the ideas in the article interesting. I mean the American Method is still running round in photographic circles as obsession with corner sharpness as a marker of self seriousness…and that’s where the book starts. If I had an unmet need, it is the entirety American focus of the book leaves me a bit blind to the bigger picture. What was it like, I wonder, in Japan? But then again, good books should raise new questions because new questions are the mark of learning. Beil’s book certainly feels like a potentially “important book” on US photographic history to me. YMMV.
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