Hi, the exercises I do for the regular practise change according to the pieces I play and they also change if I feel that I get tired of ...
Hi, the exercises I do for the regular practise change according to the pieces I play and they also change if I feel that I get tired of them or they don't work. Many of them can be found here [0]. There are also days where I just "listen", not caring much for technique, but rather playfully explore a piece or an idea. The most important thing in my opinion is to not fall into the trap of just playing something over and over again, hoping for incremental progress, but instead find out what you can't do and work on improving precisely that. Playing the bars of a piece in reverse is a good way to get around this. During the long practise I take that principle even deeper and use the time to work on the hardest parts (= the ones which aren't fun to play, because I'm not yet able to play them properly). [0] http://www.pianopractice.org/
Posted by cel1ne on May 17, 2015, 7:15 PM
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The biggest problem with having an LLM do this, from what I've observed of at least frontier models, is that the way they are trained...
The biggest problem with MOND is that it was hand-crafted with additional parameters simply to fit the data.
(My comment is about detached houses).
The biggest problem with this is that I can't run my company's own internal benchmarks against this API, because they will be trained int...
> steer Claude away from over-engineering parts of the system in response to hypothetical concerns.
Why is there no comparison with FLUX 3 Image?
> our Git monorepo was developing an annoying problem Sentences like this are so common from people using monorepos that I am convinced ...
Why is there no contact form?
Hi, the exercises I do for the regular practise change according to the pieces I play and they also change if I feel that I get tired of ...
Hi, the exercises I do for the regular practise change according to the pieces I play and they also change if I feel that I get tired of them or they don't work. Many of them can be found here [0]. There are also days where I just "listen", not caring much for technique, but rather playfully explore a piece or an idea. The most important thing in my opinion is to not fall into the trap of just playing something over and over again, hoping for incremental progress, but instead find out what you can't do and work on improving precisely that. Playing the bars of a piece in reverse is a good way to get around this. During the long practise I take that principle even deeper and use the time to work on the hardest parts (= the ones which aren't fun to play, because I'm not yet able to play them properly). [0] http://www.pianopractice.org/
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