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The short answer is that it's complicated.

The short answer is that it's complicated. Digital film (DCP) is typically 24 fps, asirc -- and that doesn't go well into 60, or 50. And the difference is enough that you need to drop a frame and/or stretch the audio. And sometimes this doesn't go so well. There's a relatively recent trend to try and record digital all the way, and this is also complicated. Record at 24 fps? At 30? At 60? 60 fps 4k is a lot of data. And sound is actually the major pain point -- video frames you can generally just drop/double, speed up/down a little to even things out. But 24 fps to 60 fps creates big enough gaps that audio pitch can become an issue.

Posted by e12e on Apr 17, 2015, 5:31 AM

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The short answer is that it's complicated.

e12eApr 17, 2015, 5:31 AM

The short answer is that it's complicated. Digital film (DCP) is typically 24 fps, asirc -- and that doesn't go well into 60, or 50. And the difference is enough that you need to drop a frame and/or stretch the audio. And sometimes this doesn't go so well. There's a relatively recent trend to try and record digital all the way, and this is also complicated. Record at 24 fps? At 30? At 60? 60 fps 4k is a lot of data. And sound is actually the major pain point -- video frames you can generally just drop/double, speed up/down a little to even things out. But 24 fps to 60 fps creates big enough gaps that audio pitch can become an issue.

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